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ghost-note product | claude code | manager spawns workers

# List worktrees (includes stale ones)
./scripts/list-workers.sh

# List ACTUALLY RUNNING workers
ps aux | grep "claude" | grep "GH-" | grep -v grep

# Check STATUS.md if worker writes progress (debug mode only)

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Glass Frequencies

I'm tuning to a station that went dark
Static where your voice used to be
Frequency shifting, nothing to mark
The place where you transmitted to me
Glass frequencies, I reach but I can't hold
Every signal that I catch turns cold

Signal decay, signal decay

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claude code and Bitwig music production

Google Drive with mp3 files

Album on SoundCloud

The .mp3 files in this folder are songs written using various projects I have developed with Claude 4.5 models and claude code. Claude writes the music for multiple tracks. Claude writes the lyrics. Claude writes the tooling to assist it with music composition and production. Claude integrates with Bitwig Digital Audio Worksation (DAW.)

Files on Google Drive (covered below):

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Claude Opus 4.5 & Long-Running Sessions

Research conducted Dec 2025

Opus 4.5 Strengths (What I'm Good At)

Strength	Application to Vibewig
Multi-step autonomous tasks	Building full system across sessions
80.9% SWE-bench	Real-world software engineering

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Recapping 2025 and looking ahead to 2026

Tools

claude code Claude 4.5 Sonnet (and now Opus)

Claude 4.5 Sonnet came out in September and that made vibe coding large projects possible, so most of the stuff I created in 2025 came after its release. This is a real demarcation point in this report- before/after the 4.5 release.

Soon after the 4.5 release I landed on the command line build agent tools, first opencode and then settling on claude code. The step up in the capability of the models made these tools useful and then clearly the only (99%) way to use these models to create anything I wanted (not just software.) Clearly beating out the web interfaces and even the editor integrations.

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Building Games That Outlive Platforms

I’m writing this as someone who builds first and theorizes later, because theory without a compiler nearby is just a way to feel smart without shipping. I learn by moving. I learn by wiring things together until they creak, then listening closely to where they creak. Right now I happen to be deep in Roblox, but what I’m really doing is game development in the oldest sense: designing rules, incentives, economies, persistence, identity, and trust under constraints. Roblox is a medium, not a destiny. The same instincts apply whether the surface is Lua, JavaScript, Rust, or something that hasn’t been named yet.

Let me start from first principles, because everything interesting lives there.

A game is not graphics. A game is not even interaction. A game is a bounded system of meaning: a place where actions matter because they are remembered, rewarded, or punished. Memory is the core. Persistence is the lever. Scarcity is the tension. When you strip the genre skin off,

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Writing New Lyrics to "Time Forgot To Change My Heart"

Daniel Romano's "Time Forgot To Change My Heart" is a country murder ballad. A man betrayed by his friend and lover travels to their home, contemplates violence, and leaves a message with his daughter. We used it to build and test a framework for writing new lyrics that fit existing melodies.

The original has 34 lines across 9 sections. Average of 7.9 syllables per line. ABCB rhyme scheme in verses. The chorus repeats "time forgot to change my heart" with variation.

We built five commands in scripts/lyrics_analyzer.py:

parse     - convert lyrics to structured YAML

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Familiarize yourself with this repository.

We are creating a new album. You are acting as Rick Rubin.

My two favorite albums and the inspirations for this album we are creating are:

- Black Country, New Road - Ants from Up There
- Songs: Ohia - The Magnolia Electric Co.

The concept is knowing people deeply, the people who have been off and on through out our lives and/or are currently close to us. The lyrics are poetic and cryptic.

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GLM-4.6 on Mac Studio: Complete Guide

The biggest, baddest GLM-4.6 running locally on Metal GPU

This guide covers everything from zero to serving GLM-4.6 via OpenAI-compatible API on your Mac Studio, plus uploading your merged model to Hugging Face.

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Part 1: Local Setup (Nothing → Serving)

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codestral:22b
0.20 seconds

qwen3-coder:30b
0.21 seconds

gemma2:27b
0.29 seconds

command-r-plus:104b